• WORK
  • VIDEO
  • SHOWS
  • NEWS
  • ABOUT
  • CONTACT
  • Menu

LEAH PIEPGRAS

  • WORK
  • VIDEO
  • SHOWS
  • NEWS
  • ABOUT
  • CONTACT

© 1990-2024 Leah Piepgras. All Rights Reserved.

States of Being

December 07, 2025

States of Being

on view: 9.2.25–11.1.25

UMass Boston closing reception:

Tuesday October 28th from 5-7pm

6pm Director led tour with student curators Helina Almonte & Rafaela Astudillo

light refreshments will be served

Artists include:

Ophelia Arc, Amy Bravo, Elena del Rivero, Jo Nanajian, Leah Piepgras,

and Sondra Perry

About the exhibition:

States of Being explores the femme body as a site of connection across intersectional experiences. As humans, we encounter various states of being. Through bodily interactions like sexual encounters, physical barriers, transitional rebirths, motherhood, illness, and political foul play, we become more aware of our bodies and the spaces we fill. As femme beings with vast and expansive identities, our embodied experiences are a frequent connector of interrelated, yet divergent, realities. Artists in the exhibition, like Amy Bravo, use their own bodies as the starting point, creating visceral and assertive works. Trojan Rooster (Day Stalker), for instance, a sculptural painting references the Trojan Horse as a symbol of strategic resistance. The exhibition honors and positions the body as the primary translator of the contemporary human experience through contemporary artworks in sculpture, painting, installation, and video.

This exhibition is organized by two of our student Gallery Assistants, Helina Almonte and Rafaela Astudillo, with the support of Gallery Director Sam Toabe.

BACKSCATTER PRESS from Art Spiel

December 07, 2025

Leah Piepgras’ explorations of the body are visceral and arresting. With her larger-than-life works on luminous, gilded Tyvek, Piepgras traces the forms of internal organs outlined in dripping layers of white, turquoise, purple, deep and bright blues, and maroon paint that suggests blood. Lungs, intestines, ovaries, and other organs are framed by outstretched hands and feet—bodies fragmented, bodies laid open. For Piepgras, the human form, especially her own, is a frequent source of inspiration, yet Body Mandala, a new wall installation created this year, offers a closer and more intimate look at the body than her previous works. White plastercast body parts hang from 49 brass chains, suspended in a series of concentric circles. On the outermost rim hang toes of varying sizes, followed by fingers, eyes closed with feathery eyelashes, ears, noses, mouths with lips parted, revealing teeth, erect nipples, and, with increasing intimacy, anus, labia, and a navel at the center. The overall effect of the abstracted anatomy is more than the sum of its parts; it is a mapping of the self. The work is minimal, personal, masterful. Standing before it, I’m in awe.

  • Persephone Allen

BACKSCATTER

December 07, 2025

BACKSCATTER

Funlola Coker
Katherine Mitchell DiRico
Jesse Kaminsky
Joetta Maue
Leah Piepgras
Esther Solondz

curated by Alicia Renadette

August 14 - September 13, 2025

Backscatter brings together artworks that serve as transmissions of largely ineffable, perhaps transcendental, experiences that occur during moments of stillness, observation, and introspection. They embody the effects of not just noticing, but reveling in, fleeting glimmers of light that have traveled from inconceivably distant realms to flicker at the threshold of our consciousness; and of listening attentively to the ancestral murmurs and revelations that may awaken within us while we are quietly captivated by the dazzle.

The works in Backscatter lead us to contemplate larger themes of mortality, equilibrium, and the blurred edges of the “self” by interweaving spectacular processes of natural and chemical changes of forms in with speculative images of fluidity and other-worldliness.

Throughout the exhibition, themes of fragmentation, disintegration, patina, and crystallization recur. Ephemeral site-specific installations, by Joetta Maue and Katherine Mitchell DiRico, document and harness visual light phenomena as methods to explore time and perception. Funlola Coker, Jesse Kaminsky, Leah Piepgras, and Esther Solondz create sculptures that engage in various transmutations: of culture, memory, materials, and the human body. Joetta Maue’s drawings remind us of the humble and precarious nature of our daily existence. She meticulously renders images of cosmic dust, and floor sweepings, alternately, with ink on black paper.

Each piece in the show emerges from a practice steeped in time, presence, and a curiosity about unnoticed or transitory occurrences.

In a time of over-stimulation, and existential overwhelm, Backscatter invites viewers into moments of quiet wonder and introspection, offering opportunities to re-calibrate and make space for awe and connection.

-Alicia Renadette, curator

Boston Art Review Press for LOVER

December 07, 2025

​​“LOVER” is vibrating with cosmic wonder and pure sensory experience. Spending time with Piepgras’s videos is like being perched right between her eyes, where we are granted the rare and miraculous privilege of experiencing someone else’s visual, sonic, and tactile world. Piepgras captures and reflects back at us the moments when we are most open and porous to the world, when the world touches us back. For the artist, these instances of heightened sensation include moments of enormous trauma and grief, as well as encounters with the natural beauty of the earth. The works engage with trauma across multiple scales, from the individual human body (e.g. cancer) to the unfurling back into the outside world (e.g. ecological collapse). Piepgras realizes all this gracefully and lovingly, holding our hand throughout. What makes itself felt most strongly is what Piepgras describes as a critical and profound “love for the world.” At “LOVER,” flutter your eyes open a crack and let a stream of light in.

-Jane Freimen

Press for LOVER

December 07, 2025

Be still there in the dark, and then you may notice the light.

-Cate McQuaid

LOVER

December 07, 2025

LOVER

December 07, 2025

Hope you're well with spirits lifting to the arrival of spring ~ I'm very excited to announce the opening of LOVER, an installation of new video works by Leah Piepgras, which I am deeply honored to be curating at No Call, No Show gallery ~ through the kindness of the one and only, Andy Li. 

Leah is a force to be reckoned with; brave to create such vital, vulnerable, and healing works that transcend the darkness of cancer recovery with unimaginable light. 

When: We'll be having an opening screening on Saturday, March 29th from 3 - 6pm, and again on March 30th. Then, appointments will be available through mid-April ~

Where: No Call, No Show is located on the 3rd floor of the Distillery building in South Boston: 516 E 2nd St, #307, Boston, MA.

Here are a few words / images introducing the show:

LOVER is a video, sound, and sculpture installation introducing emergent works by Leah Piepgras. Moving towards “a new mythology for restoration and healing”, the show invokes reverence for nature in response to recovery processes, embodied sensory experiences, and the poetics of erotic love. In LOVER, Piepgras deepens her connection to sunlight, a source which tethers us to the cosmos and grants our survival. Studied scientifically as both particle and wave, light presents dualities that pass through us, calling into question our physical being. LOVER’s hypnotic video projections echo this quality. As particles dance, humans entwine, sprawl, and reach, and a wanderer treads barefoot through streams, each body exists doubly as a touchable form and as mere light. ++

-Stace Brandt

Goddesses and Monsters Works on Paper at SUNY Potsdam ART Museum

December 07, 2025

Racket of Banshees Feminist Video Night at Wonzimer

December 07, 2025

Association of Hysteric Curators presents RACKET OF BANSHEES at Wonzimer in LA @wonzimer, November 7th, 7:30pm.

CONFLUENCE, September 12 to November 3, 2024

December 07, 2025

The Department of Art & Design at the University of Massachusetts Lowell collaborated with the Whistler House Museum of Art, Arts League of Lowell, Brush Art Gallery and Studios, Arts Research Collaborative, and the DRAW Team from the LeRoy Neiman Foundation to present DRAWLOWELL: confluence, on view from September 12 to November 3, 2024.

Opening receptions will run throughout the day on Saturday, September 14 at participating galleries. The Whistler House Museum of Art will feature refreshments and curators’ remarks from 3 to 6 pm in the Parker Gallery. These events are free, accessible, and open to all.

Conceived by lead curator Tomas Vu, Artistic Director of the LeRoy Neiman Center for Print Studies at Columbia University, DRAWLOWELL: confluence examines a broader definition of drawing as a means for sharing ideas and forging connections that transcend the geographic and cultural boundaries between Lowell art communities and the wider art world.

The works included represent a wide range of 21st-century drawing practices, from the playful and whimsical to serious investigations of thought and form. The exhibition combines DRAW artists from New York with juried artist members of the host institutions in Lowell.

DRAWLOWELL: confluence is funded with a generous grant from the Artist’s Resource Trust, administered by the Berkshire Taconic Community Foundation. A special thanks to the Neiman Center for Print Studies at Columbia University and the LeRoy Neiman and Janet Byrne Neiman Foundation for loaning work from their archives.

KARMA at Gallery Very

December 07, 2025

KARMA

SEPTEMBER 28 - OCTOBER 5, 2024

KARMA celebrated the work of 38 Boston artists and Gallery VERY’s ongoing dedication to the Boston art scene. After our success with Quid Pro Quo in 2022, we decided to organize another community exhibition.

The show gave our featured artists the chance to connect through sharing, swapping, and exhibiting work. It also foregrounded VERY’s commitment to upholding an artist-first, community-centered venue, providing space to exhibit, gather, and talk about art.

Parts and Pieces of the Universe

May 17, 2024

Janurary 13- March 16, 2024 Essex Art Center, Lawrence, MA

Prototype 1.0 curated by Tomas Vu April 12 - May 20

May 17, 2024

Behind the scenes: INTERVIEW THE MAKING: IN THE STUDIO WITH LEAH PIEPGRAS

May 17, 2024

A conversation between Monica Lynn Manoski and Leah Piepgras

Then or Now at Take it Easy Atlanta →

December 14, 2021

THEN OR NOW

December 11, 2021 - January 15, 2022
Opening Reception: December 11, 6-9PM

Sergio Suárez
Y Malik Jalal
Leah Piepgras

Then or Now presents work intended to edify and transform viewer perspective via ideated experiences of another world, cosmos or plane of existence. Each artist brings a deeply personal narrative to their practice; projecting themselves into their work as if from a parallel or alternate timeline.

Meticulous and material-critical objects provide entry points and commonalities in both practice and concept, while the other-worldly nature of these veritable artifacts is tethered here via craft and execution.

The labor and intentionality in Sergio Suarez’s mark-making process makes tangible the Spanish word “debrayer,” which loosely translates to the process in which one loses the sense of time. He brings lost time and labor forward; capturing and translating it into a concise celestial lexicon within his work. Figurative elements blend with cosmic and classic imagery, referencing a time both then and now.

Y Malik Jalals floor sculptures radiate with the labor and heart of the artist. A metalsmith, a mystic, a true maker, Jalal forges and finesses objects that could have been useful in another dimension - and perhaps are. A fountain, rusted and dry, is still a fountain. In contrast, shiny sinewy arms stretch out and around a second work; reaching for something. Abstraction, here, gives context instead of muddying it. Jalals work is heavy, and present, but not meant entirely for us; existing across time, place and persons.

Leah Piepgras considers both what could have been and what is truly knowable in her work. A celestial, almost gaseous figure hovers, suspended in air and connected with a delicate chain; with the potential to expand, contract, and encompass more space as needed. A deep care for labor suffused with the primordial urge to exist and an elevated desire to understand the unknowable, result in work that serves the viewer's desire for all three.

Together, these artists make work for and from a different place; each building from a need to understand and manifest something intangible but deeply personal. Presented together, their works become artifacts of these unique places; connecting themselves and the viewer to the same, unifying urge.

Y MALIK JALAL

Y. Malik Jalal is an artist based in Atlanta, GA. He received his BA in Studio Art from Oglethorpe University in 2016. Jalal was born in Savannah, GA, and raised in the Atlanta suburbs. He has had recent solo exhibitions at Atlanta Contemporary; Delaplane, San Francisco, and Alabama Contemporary, in Mobile. In both 2020 and 2018, his work was included in a two-person show at Hi-Lo Press and at group exhibitions at Mint, Mast, Swan Coach House, and The Gallery by Wish. His first book, A Brief History of the World Vol. 1, was published in 2020 in conjunction with For Keeps Books, Atlanta.
ymalikjalal.com

LEAH PIEPGRAS

Leah Piepgras received her MFA from Carnegie Mellon University in 1997, and has since exhibited and performed throughout the United States. She has work in the permanent collection of, among others, Wilmer Hale, New England Biolab and Fidelity Investments, and has been featured in Artsy, The New York Times and The Boston Globe among others.
leahpiepgras.com

SERGIO SUÁREZ

Sergio Suárez (b.1995) is a Mexican born, Atlanta based visual artist and printmaker. He uses the mediums of printmaking, painting and sculpture, to explore language and the structure of materiality in relation to narrative and contradiction. He often borrows small parts of complex systems of thought and production in an attempt to create a space balanced between past and present. His work has been shown around Atlanta, in spaces like the Welch Gallery at GSU, the Abernathy Arts Center, Pulp Gallery, Noch 8 Gallery, the Consulate General of Mexico in Atlanta, and in Studio 9 of Atlanta Contemporary. Internationally he’s shown at the Woolwich Contemporary Print Fair in London, the Haugesund Internasjonal Relief Festival in Norway, and the Ionian Arts Center in Greece; where he also was a resident in 2017 and 18. His work is also included in the SGCI archives of the Zuckerman Museum.
suarezsergio.com

In Place: a return

December 14, 2021

 

In Place: a return

UNIVERSITY GALLERY, U MASS BOSTON

9.7.21–10.30.21

Danielle Abrams and Dave Wade, Alexi Antoniadis,

Kevin Clancy, Corey Escoto, Samantha Fields, Danielle Freiman,

Jillian Freyer, Leah Piepgras, and Chanel Thervil

 

What does it mean to be in a room together, to be in place side by side? As we return to campus, we invite you to visit the gallery to share space with artworks and with one another to create cathartic connections and to find some comfort and meaning in re-entering public life.

 

In Place, our first exhibition in situ since the start of the pandemic, gathers objects and experiences that deal with communication, vulnerability, and interconnectivity. These artworks encourage public processing of emotions. They make space for creativity and collaboration. And in profound ways, they investigate and celebrate human connection and the importance of platonic intimacies.

 

Many of the artworks on view in In Place were made during the pandemic. Chanel Thervil’s Quarantine Self-care Series portrait of artist Mel Taing, for example, was produced during the quarantines of 2020. The works from this series debuted online, and were presented in the context of IG Live interviews where Thervil asked Taing and other collaborating artists of color empathetic questions like “How do you care for yourself?” In the case of some artworks, such as Jillian Freyer’s photographs and a sculpture by Corey Escoto, we have taken the opportunity to present artworks in person that were discussed in our remote programming from this last year, when the gallery was operating entirely online. In an installation by Samantha Fields, viewers are welcome to sit and stitch a dyed tapestry adding to the artwork and exhibition in a tactile way while encouraging mindful meditation through repetitive action. The centering of self-care, identity, embodiment, and mindfulness are woven into each of the works in the exhibition.


We are thrilled to be presenting exhibitions in person again, and look forward to connecting with you in the space. As we welcome our staff, the students, and the community back into the gallery, we want to echo the sincere sentiment of Danielle Freiman’s text based artwork which states, “it’s so nice to see you.”

SB ANNOUNCEMENT 01.jpg

GATEWAY curated by GRIN at SPRING/BREAK

March 23, 2017

MARCH 1-6, 2017
4 TIMES SQUARE, NYC
ROOM #224, CURATED BY GRIN

In Gateway, GRIN presents a solo exhibition of work by Leah Piepgras who deals with how subtle shifts in a conscious state affect the relationship with the seen and unseen environment. Under a veil of cognitive science, physics, cosmology and the human time scale, she examines indefinable universal truths. Taking the concept of a black mirror (or "Claude mirror"), a small personal object that provides an individual viewer with a pointed reflection of the world,  Piepgras turns it outward- providing the viewer with tools to instead reassess their position within the universe. Gateway uses Piepgras' autobiographical works not only as a way to force the viewer to see themselves in someone else's reflection, but as a way to encourage consideration of their place in the visible universe.

Interview with Big Red & Shiny

November 10, 2016

Read entire interview here

 

Solo exhbition at GRIN

October 01, 2016
PU INSTA.jpg

PARALLEL UNIVERSE
OCTOBER 22 - NOVEMBER 18
RECEPTION: OCTOBER 22, 6-9PM

GRINPROVIDENCE.COM

 

Hallspace Drawing Project

August 25, 2016

HallSpace Drawing Project
September 3 – October 1, 2016
Hallspace, Dorchester, MA

Group show in Pawtucket RI

August 10, 2016

Relative Ground
Devra Freelander, Aimee Odum & Leah Piepgras curated by Corey Oberlander & Linsdey Stapleton
September 2-20, 2016
Machines With Magnets, Pawtucket, RI

Prev / Next

Wells Blog

Duis mollis, est non commodo luctus, nisi erat porttitor ligula, eget lacinia odio sem nec elit. Maecenas faucibus mollis interdum. Nulla vitae elit libero, a pharetra augue.


Featured Posts